This choice of course gave some limits to the development of the mapping, opposed to the use of a media server with dedicated software (e.g. This choice was made considering two main issues: in smaller theaters it could be very difficult to place more than one projector at the same time without interfering with the audience or blocking the emergency exits, so a single projector from a central point of view is easily controllable with a small and prosumer machine there was the necessity of making the projection flexible, easily adjustable and re-usable in lower budgeted shows like private conventions. The software chosen for controlling the projection layers was Millumin on a 2,4 ghz retina MacBook Pro. All the layers were coloured with a white base to act as a projection screen.ĭuring the rehearsals at the Odeon Theatre in Biella it was possible to define the projection mapping project. The wings were not merely intended to frame the scene, but as a set element representing a pile of stacked luggage, with sculpted volumes and softly painted over white polystyrene. The scenography consisted basically in five different depth layers: two couples of stage wings, a tulle curtain, a removable background and the main background. Garybald was made in charge of creating this imaginary world, using projection mapping techniques any giving them something barely seen in Italy: a narrative added value. This is the outline of the show “Brachetti Che Sorpresa”, last theatrical season’s success. A crazy team with the international quick change artist Arturo Brachetti as a captain. An imaginary, oniric place, where the dreams and the memories of people is stored and brought back to life by a wild bunch of comedian and illusionists. All the luggage lost all around the world and never found is gathered in a huge hangar.
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